Arran Salerno | Photography - Blog » Olympus

A whole lotta randoms

admin — Sun, 02 Jan 2011 12:21:34 +0000

Ahh 2011.
2010 was bit of a whirlwind year for a number of reasons, so I’m looking forward to a more enjoyable new year.
To start off the new year I developed an old roll I had kicking around in a camera I don’t use very often. I couldn’t remember what was on it, so it was quite nice looking back over the last year from the perspective of random photos taken roughly over a several month period.
I’m looking forward to completing a couple projects/sets and starting a few more. Things had gotten stagnant for a period, but I’m somewhat relieved that has now changed. Fresh starts all round.

Some of these pics were in Melbourne, the others I have no idea.
(As usual, please forgive my crappy scans)

Oh, one more thing.
Came across some youtube videos today. They are from a documentary on Henri-Cartier Bresson and it’s brilliant. I think HCB is often misunderstood and his work over simplified. There is a lot more going on with his work than just “street photography” – a shallow term I’m actually getting a little tired of, as it’s continuously thrown around without much consideration. Anyway, that’s a discussion for another time and place I think.

The documentary is broken up into 5 parts so make sure you continue watching them in order. This is the first : http://www.youtube.com/watch?v=r6l09YEeEpI
Hope you enjoy them as much as I did.

Olympus OM4 + Bessa Grip

admin — Wed, 20 Oct 2010 04:57:06 +0000

Some months ago I decided to get back into black and white shooting after spending about a year shooting colour on a p&s.
It’s always refreshing to have bit of a change, and whilst I don’t make a conscious effort to exclusively shoot on one medium or another, I’ve found that I’ll naturally stick with one or two cameras/types of film unless I make an effort to mix things up a little. whichever way I “mix things up”, I inevitably find myself turning to the OM series, or one of my rangefinders. I’ve tried other SLR systems over the last few years but they don’t feel as natural as the OM system to me (if you couldn’t already tell by the number of OM’s I have and use).
Anyway, I got this OM4 for free after the previous owner told me it had electrical problems. It sat on my shelf until earlier in the year when I decided to find out once and for all if it was working. First step was to try and give it bit of a clean – the camera had come from someone who originally lived in the Northern Territory, so it was covered in that distinctive N.T red dirt/dust. I couldn’t see any obvious problems so after sourcing a battery cover from a generous member at RFF, I put a test roll through it and to my surprise everything worked perfectly.
After a few days I was looking at my Bessa R3A and noticed how similar in size it is to the OM SLR’s. From this I eventually discovered that the Bessa grips fits on the OM4 (and others) with ease. The grip is actually a little bit big for the OM4 (as the Bessa appears to be larger), but it does the job very well. The ergonomics of the camera have improved substantially and it doesn’t stand out too much or add any noticeable weight. It’s a bit ghetto I know, but I’m thinking it’ll give me more street cred now… Will attach to a Holga next for maximum hipster coolness…

Expired Film

admin — Fri, 23 Jul 2010 01:28:41 +0000

Just like cameras, I hoard film, and for some reason I quite often come across people throwing it out, or shops clearing it off their shelves.
I can’t stand the thought of film being thrown in landfill somewhere when it can be used for something creative or fun. It’s just a waste. So as a result I have quite a lot of it.
Mostly I just load it into one of my mju:II‘s and keep it in the car or in my pocket and shoot anything that come to mind. A lot of the time they don’t turn out, and from the ones that do, only a small number are “keepers”. I’m not really bothered. This “low stress” type of shooting is what got me into photography in the first place. It’s something I lost for a couple years. Instead I’d agonise about the shot I wanted to get, the preparation and post work etc. It became a chore and not enjoyable.
These days I just shoot for the fun of it and the final result isn’t the prime importance. I find it a lot more fun now.

Below are some shots from expired film I’ve been using. I’m not even sure what it is. Just some consumer grade Kodak 200 & 400 iso I think. These are some scans of the prints so things aren’t as sharp as they’d be from a negative scan, but I kind of like the aesthetic anyway.
Some shots are from my ongoing A car took me there series.

A Car Took Me There

Arran — Wed, 26 Aug 2009 11:39:45 +0000

Been doing a bit of driving lately, so it’s only natural that some of my photos are taken from the car.
Here are a few from a set.
My scanner doesn’t like film anymore, so I have to scan prints – luckily I always get prints.
I’m gradually going through a big bag of expired colour print film I got for nothing a little while ago. It’s been a nice change from black and white, plus I like the random colour casts that may/may not happen depending on how the film has been treated over it’s life.

Oh yeah, I’m still here

Arran — Mon, 13 Jul 2009 06:48:02 +0000

Been quite a while since my last post for a number of reasons. Nothing bad, all good, but my priorities have been with offline pursuits lately. I’m trying to minimise the amount of time I spend on the net and computers in general also, which is kind of hard seeing as though my job entails alot of computer time!
Anyway, I’m still taking photos, mostly colour though, and mostly with a p&s Olympus Mju:II – photo attached as proof! I’m finding it alot more fun with a p&s, I seem to put less pressure on myself, and photography has become alot more enjoyable. I like my photos more too.
Will give another more detailed update again soon. Have a couple of projects I’ve been progressing with, and my entire website will be rebuilt with a slightly different focus. Time has been a precious commodity lately though!

Last for a while

Arran — Sun, 19 Apr 2009 13:29:56 +0000

Just some random scans I had lying around. Been shooting colour lately, and waiting to get about a dozen rolls finished to developed them in one hit (i’ll be doing it myself). These may be the last b&w shots I post up for a while.

A Nice Find

Arran — Wed, 25 Mar 2009 11:38:21 +0000

Well, sometimes you get lucky.
I have stayed away from that evil online auction site for a while now, but the other week I was killing some time so took a look at the camera section. Nothing amazing really, but I found a listing advertising some Minolta SRT’s and a bag full or random stuff. For some reason I clicked on the link even though Minolta doesn’t really interest me.
In the photo, amongst all the other “stuff” I saw two other lenses which werent for the Minolta cameras advertised. They were Olympus OM Zuiko’s – now I started to get interested. I ask the seller what lenses they were and was a little skeptical about his response. But decided to bid and win the auction, eventually receiving the package a couple of days ago.

After opening the packing, the first thing I see is the original large Olympus system bag with individual compartments, so that’s a good sign. I dig around and find the lenses – 2 mint Olympus Zuiko’s.
The first is a later multi coated Zuiko 50mm f/1.4 – nice, but nothing overly amazing (plus i already have a couple)..
The other was a little more interesting – a Zuiko 24mm f/2…..
24mm f/2 !!.. In the original case too..
I wont say what I paid for it, but it was less than what some 50mm f/1.4 go for on their own, so you can probably imagine I was pretty happy.
The only other 24mm f/2 I’ve seen for sale in comparable condition went for over $1000 AUD.

Anyway, I’m dying to give the 24mm a go. Always wanted to try a 24mm on my OM system, never thought it’d be the f/2.
I’ll be running some Legacy Pro through the camera. If you havent heard of it, it’s rumoured to be re-branded Fuji Neopan and Acros – same country of manufacture, same development times, same characteristics. I’ve been interested in trying it as Neopan is probably my favourite 400iso film of all time.

They have the ugliest looking pack design i’ve ever seen though though =/

Olympus OM3

Arran — Sun, 25 Jan 2009 11:12:30 +0000

The Olympus OM3. One of the most advanced mechanical shutter cameras ever made. It is also one of the rarest OM series cameras around as it was only produced for 3 years (1983-1986). As a result, it is often horded by collectors who sit them in glass display cases whilst watching the market value gradually increase.
It’s a shame, as this is a truly amazing camera which was designed from the ground up by Yoshihisa Maitani to take full advantage of the OM system as a modern professional camera body. It deserves to be used.

The OM3 was released along side the OM4 and OM2SP, so as a result shares some similarities. However, you could probably say it’s in many ways closer related to the OM1 which was also built with a mechanical shutter. As a result, this is one of the main reasons why the OM3 was only produced for such a short period of time. In 1983, if people wanted a mechanical shutter body they had 2 choices in the OM system- the OM1n which was an older but tried and tested model, or the OM3 which was brand new and considerably more expensive. Most people chose the OM1n which was built until 1987.
The OM3 had alot going for it though. With it came an increased max shutter speed of 1/2000, iso settings from 6 to 3200, and a brand new very advanced metering which included the new multi-spot system (in addition to the regular single spot), which allowed the user to take a reading in the shadows and highlights then combine them both for an ideal exposure. All of this was displayed in a new Viewfinder that featured LCD display and a light (helpful for night shooting) which displayed detailed information on light readings and shutter speed etc. Besides all of this new technology, there remained the greatest advantage of all; that by using a mechanical shutter the camera could be operated at all shutter speeds without the need of batteries.

Of course, it must be said that with this new metering technology also came issues that worked against the cameras reputation. One of the biggest was battery life. Like the OM2SP and OM4, there were alot of cameras (not all) that chewed through batteries like they were candy. You can usually tell right away if your particular camera falls into this category by the need to replace the batteries after a weeks use. There is a common misconception that all of these models suffered from this problem which is completely false. I know people who have been using them for years without needed to replace batteries. I myself have been shooting an OM2SP for well over 8 months now with used batteries and it still functions perfectly. I haven’t had enough time to test the OM3 fully yet, but after shooting a roll (on yet again used batteries) and repeated use of the VF lights etc, it’s still holding up perfectly. On the odd chance of the batteries draining though i still can make use of the OM3′s biggest advantage – it’s mechanical shutter.

Getting hung up on the technicalities of these cameras can be a waste of time; almost as much as collecting them without the intention to take photos.
At the end of the day, It’s all about how good the camera is to use, and the OM3 carries on and in some ways improves the biggest advantages of the OM’s that proceeded it. This includes the gloriously large and bright viewfinder, compact body and user friendly function, attractive finish, looks, and construction, and the ability to use some of the greatest lenses ever created.
I have quite a few cameras now, and the OM3 is already amongst my all time favourites. However, i have to say that as good as it is, i think they’re overpriced, especially as a user camera. I’d actually have a had time justifying paying even half of the current market price for one of these. If you’re just looking for something to get into the wonderful OM system, there’s probably better options available to you. But, if you’re like me and find one for a fraction of the market value, snap it up and use it!
The OM3 is a great cameras to use, but i think mine will restricted to indoor use only and kept away from the street.. It’s just too pretty

For further reading you can can check out these links.
I’ve also tracked down the hard to find OM3 instruction manual that i have available for download here

Makeup

Arran — Fri, 23 Jan 2009 04:22:57 +0000

This style of photo is a new aesthetic for me.
I recently shot some 100iso Fuji Reala Superia on my half frame and it produced some impressive prints. However, my scanner seems to hate C41, and anything i scan looks flat and dull. That means im not going to bother trying to post them up for the time being. However, there were some shots i took in very low light that interested me even though they lacked the vibrancy of a proper exposed negative (i had to trick the camera into thinking that i had the flash on otherwise it wouldn’t let me take the shot). They’re dark, grainy and soft, but as an experiment I think they turned out nice, and create a sense of atmosphere or feeling for me. I hope to develop the concept a little further and get a whole set inspired by the shot/s below.
As usual, it’s probably best to click on the image to see it at full resolution.

Oh yeah, one more thing.. I’m waiting on something very special that’ll be coming in the mail soon

Half Frame Fun!

Arran — Sat, 25 Oct 2008 11:56:06 +0000

Here are some shots from my first roll in the little Pen EF i just got.
Tried out some diptychs as it fits them on a regular single frame. Some obviously worked better than others, but it was still alot of fun. I’m quite surprised how well it metered and how sharp the lens is (when its actually in focus ofcourse).
Tri-x400 in Rodinal 1+50