Here are some shots from my first roll in the little Pen EF i just got.
Tried out some diptychs as it fits them on a regular single frame. Some obviously worked better than others, but it was still alot of fun. I’m quite surprised how well it metered and how sharp the lens is (when its actually in focus ofcourse).
Tri-x400 in Rodinal 1+50

The Olympus Pen EF is bit of an unusual camera. I originally saw this little guy covered in dust at a market last weekend. It stood out form the other cameras with its compact size, selenium light meter and flash. When i picked it up i noticed another interesting aspect. It’s a half frame camera. So i rescued it for $5.
As it turns out, the Pen EF is the last half frame camera released by Olympus. This is quite interesting, as it was the early 80’s at the time, and demand for the half frame format was essentially dead. Why Olympus chose to release a new model when the market was almost gone is a mystery, but im glad they did.
The Pen EF isnt exactly a “pretty” camera. It looks like bit of a Frankenstein with a mixture of two eras of camera technology crammed into a very compact body. The camera epitomizes simplicity. All you need to do is set the ASA (ranges from 25-400), wind the film on, then press the shutter. Thats pretty much it.
The flash is powered by a common AA battery (the camera still functions perfectly without a battery), and to activate the flash you pull a little latch down which engages it.
Besides the metering and flash, the Pen EF is lucky to benefit from a superb little 28mm D.Zuiko lens. Olympus had earnt a great reputation from their Zuiko glass for their half frame and full frame cameras, and the lens in the EF is no different. It still amazes me how manufacturers like Olympus could fit terrific little lenses in compact cameras (within a budget) that are still superior to many modern lenses that supposedly benefit from the latest and greatest technology.
Anyway, i shot a roll with this little beast the day after i got it, and it was alot of fun. It’s quite a strange experience having 72 shots on a roll of film. I hope to create some interesting Diptychs, and also see how large i can enlarge the half frames.
If you see a little Olympus Pen EF around, dont let it end up in the bin. It may not be the most attractive camera out there, but its certainly one of the most unique!

Well yes and no.
Yes i’m checking out a “new” lens i have, but no im not taking photos of brick walls and newspapers to pixel peep corner sharpness and other crap like that.
A few guys i know have started using alot of older manual focus lenses on their DSLR’s with terrific results. I’ve always been interested in doing this myself, but have never got around to it. That has now changed. Why shoot with old manual focus lenses on a DSLR? Well….

• Its a way of using some of the greatest lenses ever made (ie. there a massive variety of lenses to try),
• They’re generally smaller, lighter, and cheaper than modern lenses,
• Many have unique characteristics and draw nicer than modern lenses,
• Build quality that still shits over most modern lenses,
• Trying something different for the hell of it.

As you can see, theres several good reasons to consider using older lenses.
From using film cameras recently, i’d already built up quite a selection of Zuiko lenses for my Olympus OM bodies. Luckily, Zuiko have made some of the best lenses in history (no you cant dispute that its a fact), so i got a cheap adapter off ebay to start using them on my DSLR.

I’m not going to keep rambling on, so i’ll cut to the chase.
This afternoon i attached my newest Zuiko, a humble and underrated 100mm f/2.8 that cost me $55 including postage from the U.S. The light was going down, and the wind was pretty strong, but f/2.8 is still pretty respectable even if it’s not exactly “fast”.
Here is what i came up with shooting wide open at f/2.8 at 200ISO. There is no processing whatsoever, its straight from the RAW. No sharpening, no level/colour adjustments. I’ve also included a 100% crop of the image. **click images for full size, the resized ones can look a little soft**

100% crop

Shooting with a manual focus lens on the 400D isnt the best combination you can think of. The viewfinder is pretty small, and it doesnt have a focus screen designed for manual focus lenses. You can buy them and they’re relatively cheap, but i probably wont bother unless i upgrade to full frame. I’ll definitely be using my other manual focus lenses form now on though and im looking forward to using the 100mm for some portrait work.

Ok, havent posted up any film shots for a while.. No working film scanner means no scans. So you have to suffer through a couple more shots of new cameras than have found their way to me lately.

The first is a terrific 124G. Been liking this medium format thing lately, so i’ve bought my own camera just incase i have to give the RB67 back (im hoping my friend forgets i have it). The Yashica 124G is a 6×6 medium format TLR that was built in between 1971 and 1986. It has a very good reputation as an entry level medium format camera with an astounding 80cm f/3.5 Yashinon lens.
There is also a non “G” model (ie. Yashica 124), that appears to sell for considerably less than the 124G. They’re actually exactly the same except for the external finish of the camera. The optics are exactly the same, and there are rumours that the 124 has stronger internal gears than the 124G. Too bad i couldnt find a 124 anywhere for sale that was in working condition, luckily the 124G is still pretty cheap (if you look around a bit).
Heres a quick pic of it

I also got these 2 things for an offer i just couldnt refuse.
One is in amazing condition, the other nice and brassed up. I actually have something special planned for the “roughy”.

Well, that’s a bit dramatic actually..
The other week i got some Fuji Neopan SS (100iso) as it was super cheap, and i’d never heard too much about it. Felt like trying something different. I decided to shoot a test roll this wee as i couldn’t really wait to use it on something special, i just wanted to see what it’d look like. I was half way through the roll when i noticed something wrong. My camera was set at 400 ISO =/
I initially got annoyed with myself, but then thought it’d be a good opportunity to try and push process the film a little (i’d never tried it before). So i shot the rest of the roll and started looking for some recommended development times. To my astonishment there were hardly any… Well, there were dev times for 100ISO, but nothing for 400.. I started looking at times for other developers but found hardly any info at all.. Thinks weren’t looking good.
After hours of searching i thought i’d just give it a go making an “educated guess”… Actually, it was more of a plain old “guess”.
Somehow, it worked. As you’d imagine i was pretty happy about it all. Actually, it produced some of the nicer results i’d got.
Here they are. Fuji Neopan SS developed in Rodinal at 1+50 @ 21C for 18 minutes, pushed to 400 ISO.

I dont know what happened with this shot, but thought it looked kind of interesting anyway..

Just some shots from the other day. Tried some 400 ISO HP5 out this time, i quite like it. Developed in Rodinal 1+50 for 11 mins. The damn flare killed the second shot, should of expected it though. The shot with the flowers was taken with an old red filter i was testing out. Oh, and check out my ghost photo at the bottom :p

OMG A GHOST! :p

Well, the other week i was made an offer i couldnt refuse. The offer was to buy another Olympus SP, but this time in Silver, for a very reasonable price. Actually, an extremely reasonable price. I wasnt in the market for another camera, let alone another SP, but somehow i convinced myself i should get another one. =/
The SP on offer came with its original case and manual, but the best bit was that it had just undergone a CLA, plus it had a modification that allows it to take modern voltage batteries without any stuffing around. These two things alone would of cost more than what i ended up buying the camera for, so i was pretty pleased. I was about to send my black SP in for a CLA anyway, so this saved me the hassle, plus i can now leave it at home and not worry about scratching the thing (well thats how i justified the purchase). The silver one is now my user, eventhough it is cosmetically and functionally flawless. (I would of been happy wich a scratched up user, but who am i to complain?)
So anyway, heres a quick picture of them together below :

Last month, for a bit of fun, i shot a roll of cheap film over the space of a week with my Mju:II. I kept the camera in my car and in my pocket most of the time just taking pictures of things that looked interesting. Theres nothing revolutionary about this concept, and i’ve been carrying cameras around with me for quite some time now. But there seemed something different this time. The fact that the camera only offered a limited amount of options to the user. No manual settings, no zoom, an auto focus, auto everything pretty much. Every other camera i own has manual settings, so i wasn’t sure how far i’d get with this automatic plastic fantastic Olympus. Also, i’d never used the camera before so thought it’d be a good opportunity to test it out.
To say i was happy with the results is an understatement. This little camera has now shot up the list of my current favourites. The lens is sharp, and i think the photos it produces (looking at the prints) has a distinct look. Its also very compact and strong. I was walking over rocks covered in moss once and managed to slip over (im normally not that clumsy). The camera was in my right hand, which took the full weight of my body when i fell over on the rocks. The camera survived with just one scratch, alot better than me who managed to be bleeding from my arms and back =/ . The camera had this roll of film in it too, so i was worried at one point that the back may of opened, or somethign cracked letting light in, but everything was completely fine. I finished shooting the roll that day.
Photos were taken in the Sydney CDB and suburbs, quite often driving to or from things. Theres a night shot in Circular Quay where i just put the camera on a fence and let it select its own shutter speed which turned out perfect. Theres some other night ones where i turned on spot metering and turned the flash off.
Here are some shots.

This is my postcard shot! (aka, pretty average photo trying to fit as many landmarks in as possible…)